The following blog article was originally published on August 14 on the Not Dead Yet blog.
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| Amy Hasbrouck & John Kelly |
I am not a theatre buff, so I won’t try to write a review of Judith Thompson’s play The Thrill, currently at the Stratford Festival in Ontario. It is a “what if” play, taking its inspiration, starting point, and much of its material from a New York Times Magazine article by Harriet McBryde Johnson entitled “Unspeakable Conversations.” The 2003 article describes Johnson’s exchanges with Princeton bioethicist Peter Singer between 2001 and 2002, when she spoke at Princeton on assisted suicide.
In her article Harriet Johnson made a throw-away comment about her “head being turned” by Singer’s polite, respectful and appropriate behavior on their meeting at Princeton. The playwright spins out the scenario of “what if” the two fell in love.
In the first act, Thompson introduces Elora Dixon, a lawyer and disability rights activist with strong beliefs, smarts, southern style and the heart of a poet. Her personal assistant, Francis, is a devoted friend and counselor who shares her earthy sense of humour. Compared to Peter Singer, the character of Julian Summer is “more of a humble pop philosopher with one mega-hit book” who teaches at McGill University. Elora and Julian meet when he stops in Charleston, South Carolina to promote his book and visit his aging mother, Hannah. Julian’s book describes the short life of his youngest sister who died of a neuromuscular disease. Julian’s mother Hannah has mild dementia and is living with her daughter. Julian often uses the threat of sending her to a nursing home as a lever to force Hannah to behave.
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| Liz Carr |
As the second act opens, Elora has had to accept a feeding tube, which she believes is the “beginning of the end” for her. Her doctors have told her she will lose her sight, her hearing then her mind before she dies; she does not question this. Though she is in love with Julian she still mistrusts his motives, and rejects him when he returns after his book tour. Meanwhile Julian decides his mother is a danger to herself and puts her in a nursing home, where she soon dies.
































